A - to - Z of Dominica Heritage
Creole Music Festival
Our National Symbols
Bonjou! Pre-schoolers Enjoying Creole Day
Welcome to our new section on Culture in Dominica -
This section will begin with some
information about traditional dress in Dominica, featuring articles
and illustrations by local historians. Let us know if there is
a particular topic that you would like more information about
and we will try to add it. Please use this form
to tell us.
Excerpts taken from 'Our Island Culture'
by The Late Mrs. M. A "Cissie" Caudeiron
Nothing seems to impress visitors to our island so much, as the sight of girls in either one or the other version of our Creole dress, and these young ladies often find themselves bombarded with questions about our colourful costumes and its history.
We find the first truly Creole dress worn by freed woman (also slaves) on Sundays and feast days, consisting of a floor length skirt of a bright colour over a white cotton chemise, trimmed at the neck, sleeves and hem with lace. A white handkerchief was wrapped around the head or sometimes shaped into a bonnet, while a white or coloured cotton triangle or 'foulard' was draped over the bosom, completing the resemblance of the whole dress, to that of the French provincial women.
When the madras replaced the white handkerchief, Creole women began to use a pliable material (known as "imité") for their foulards and even for their jupes
. Just about this time, too, ribbons came into vogue, and were threaded through the lace of sleeves and neck of chemise. The latter, once used to reach halfway down the calves and with a lace edge to the hem. Now, it was shortened and was more like a blouse, and women began to use heavily starched lacy ribboned petticoats instead. The thoroughly West African custom of lifting the skirt and flinging it carelessly over one arm, became fashionable and allowed partial view of the petticoat.
Thus it was that from of holiday jupe and chemise of slave days, we now have the complete jupe assemble which is very popular to this day, and which consists of mouchoir, foulard, jupe, chemise, and "jupon a dantell" complete with gold jewellery on arms, neck, ears and mouchoir
The elderly relatives of the important estate owners, were unaccustomed to European style of dress, but finding the "decollottee" chemise rather undignified, began to wear a long-sleeved velvet jacket over the chemise . There is no doubt that this inspired the new dress which soon began to be worn by the socially conscious mulatress women.
A long-sleeved dress of dull coloured materials with small printed patterns began to take the place of the jupe.
the irrepressible spirit of a mixed race resisting those socially
prompted restrictions and the African love of bright colours reasserts
itself completely in the shape of that Creole Bird of Paradise,
the "dou-dou matador."
This splendid creature wore the "grand robe", as the
long tailed douilette was called, in order to distinguish it from
the "ti robe" of the more respectable ladies. The "lache"
of the "grand robe" was sometimes a yard and a half
from heels of her shoes, and her dresses were always of the brightest
colours. Dressing was an art, and there was a great deal of method
in this mad race for dress.
They had a sort of chart in their system of dressing, for matching
foulards and madras headkerchiefs
with the dress to be worn, so that if, for instance a woman wished
to wear a dress in which yellow was the predominant colour, she
would wear a blue foulard with a mouchoir of yellow mixed with
red. There were also mixed ruled regarding the colours the colours
used by people of different shades of complexion so that negresse,
capresse, chabin, or mulatress would each look their very best.
Many will agree in saying that our native dress can hold its own
anywhere in the world when worn with pride and distinction.
Here is a sample of other kinds of headpieces
back to top